Showing posts sorted by relevance for query hallie ephron. Sort by date Show all posts
Showing posts sorted by relevance for query hallie ephron. Sort by date Show all posts

Tuesday, March 24, 2015

Book Review: Night, Night Sleep Tight


Kerry Hammond has been up late nights reading Hallie Ephron's latest...

Night Night, Sleep Tight is the latest novel of suspense by Hallie Ephron. It is a fictional story loosely based around a real life murder that happened not far from where the author grew up in Beverly Hills. In real life 1958, movie star Lana Turner’s daughter murdered her mother’s boyfriend in their home, just down the street from the Ephron home. In Night Night, Sleep Tight, the main character has a similar experience, but the author weaves in her own version of events and creates a wonderfully entertaining story of what could have been.

Deirdre Unger grew up in Beverly Hills, wit parents who worked in the movie business. Her father, Arthur, and mother, Gloria, were a writing team back in the day. They wrote screenplays and mixed with the best Hollywood had to offer. It’s now 1985 and her parents are divorced. Her Mom is finding her true self at a Zen Buddhist Temple and her Dad is still living in the home where she grew up, even as it becomes outdated and run down around him. Henry, her brother, is back living with their Dad, or off of him as the case may be. Deirdre returns home at her father’s request, to help him with selling the house. She takes a short break from her job at an art gallery in San Diego in order to help out. When she arrives, she finds Arthur floating in the swimming pool. His death was no accident and the police begin to suspect each member of the family, including Deirdre. 

Deirdre soon realizes that her father’s death is linked in some way to a tragedy that happened in 1963, when her best friend Joelen killed her mother Bunny Nichol’s boyfriend, Tito Acevedo. On that same night, Deirdre was in a car accident that left her partially crippled and she has walked with a crutch ever since. Being back at her childhood home brings everything back, and the players in her father’s death appear to be the same as they were all that time ago. As she starts to go through all of her father’s papers, she finds her Dad’s memoir and learns he was intending to get it published and make it into a movie. She realizes that there are several people who don’t want the memoir to be seen. And the reasons seem to surround the murder of Tito. 

I really enjoyed reading this book. I loved being in the company of these characters and was able to live vicariously through their involvement in the movie industry, which I personally find intriguing. The characters were great and both the current storyline, as well as the murder from the 1960s, kept me guessing.  It’s easy to get invested in Deirdre’s search for the truth. Both the truth in what happened to her father, as well as the truth from her childhood, and the answers to questions she didn’t even know to ask. Once again, Hallie Ephron creates a suspenseful and entertaining story that will keep you guessing.

And here’s one additional tidbit that I found exciting. After writing this book, Hallie Ephron decided that there was something missing, something more to tell. So she’s written Photoplay: A Short Tale of Suspense. In it, the narrator is a photographer hired to cover a big party at Bunny Nichol’s house. It’s a story of what happened before Night Night, Sleep Tight. It’s the playing out of the events that happened in 1963. So once you put this book down, you may hear a voice saying “wait, there’s more.” Because there is!



Tuesday, June 6, 2017

You'll Never Know, Dear by Hallie Ephron




Hallie Ephron has a new book out with kidnapped children and a spooky broken doll. Kerry Hammond reviews her latest, You'll Never Know, Dear. You might want to read this one with every light in the house on. 


Hallie Ephron’s latest novel of suspense, You’ll Never Know, Dear, releases on June 6 in hardcover by William Morrow. I discovered how much I liked Ephron’s work when I read and reviewed Night Night, Sleep Tight for Mystery Playground, which took its inspiration from an actual crime. You’ll Never Know, Dear is a completely invented and a very new and twisted crime. It’s also a very enjoyable read.

In the book, Lissie Woodham has never gotten over the guilt she carries around from the day her four-year-old sister Janey was kidnapped. She was asked to keep an eye on Janey, got distracted, and her sister was taken. Now an adult with her own child, she has returned to the home where she grew up, and where her sister was last seen.

Lissie’s mother, who everyone knows as Miss Sorrel, has also never gotten over the loss of Janey. She has continued to advertise and offer a reward for anyone who can return the porcelain doll that was last seen with the child, one that Miss Sorrel made herself and was modeled after Janey. When a young woman brings a doll to the house in search of the reward, the kidnapping from forty years earlier comes flooding back, and the family gets the closest they’ve ever come to finding out what happened to Janey.

Ephron comes up with unique and creepy concepts for her novels. I was immediately drawn into You’ll Never Know, Dear because of the strangeness of the doll makers and their creations. The characters she creates are authentic and, let’s face it, some of them are just as creepy as the concepts behind the mysteries. Putting the two together make for a book that’s hard to put down because you never know what is going to happen next. I always enjoy the ride down whatever path the author chooses to take me and I continue to try and guess the outcome. Sometimes successfully and sometimes not.


Monday, March 30, 2015

Interview with Hallie Ephron




Kerry Hammond and I were able to catch up with Hallie Ephron, the author of Night, Night, Sleep Tight, and the short story, Photoplay. Hallie answered all of our questions about fiction, real murders and movie stars...

You grew around the corner from the house where Lana Turner’s boyfriend Johnny Stompanato was murdered. What made you decide to write a story loosely based on those events?

I was ten years old when Lana Turner’s 14-year-old daughter confessed to the killing. I remember being riveted by the stories and pictures that ran in the news. I’d ride my bike over to that house and stare at the upstairs window where I thought it happened. Tried to imagine what it would be like to be that girl… or what if I’d been her friend? The idea percolated, and then a few years ago it attached itself to another story idea about growing up in Beverly Hills and the price of fame. 

You tell the story through Deidre Unger's eyes, how did you choose her as your narrator?

Good question. I didn’t exactly choose her. She just is the narrator for the story I wanted to tell. If I analyze it, it’s because she’s the one with the most at stake, the one who is most in the dark about (and scarred by) a tragedy that changed her life. 

What were some of the positive and negative aspects of setting the main part of the book in 1985?

No cell phones! No Internet! Are those positives or negatives? I’m not sure. I had to practically rewire my brain to remember what it was like living without. 

I also had a lot of fun with the fashions and hairstyles of the time. Remember Jennifer Beals Flashdance torn-neck T-shirts, slouchy leg warmers, and big curly hair? Pantsuits worn with blouses with a big bow? Pantyhose? Appalling but fun to take a trip back. 

"Photoplay" takes place at Bunny Nichol's party and is sort of a prequel to Night Night, Sleep Tight. Which did you write first?

I wrote NIGHT NIGHT first. Then "Photoplay" which tells what happened before NIGHT NIGHT. 

The Lifetime Movie Network made a movie out of Never Tell a Lie. Given your background as a child of Hollywood, was it exciting to see something you had written portrayed on screen?

Very exciting, especially the first few minutes of the movie which contained dialogue lifted right from the book. And because the actors do a terrific job. But the their story goes off the rails and the plot becomes pretty unrecognizable. (They kill the dog, for goodness sake). I was completely prepared for that. It’s Hollywood. It’s what they do, and it’s why writers feel so powerless -- which is one of themes in NIGHT NIGHT. 

When you finish a book and send it off to your publisher, how long to the characters and the story stay with you?

With this book, because it’s so personal, I think the characters will stay with me forever… or until I forget my name and where I parked the car. 

You write about a lot of strong female characters and you need to get into their heads and create their world and their reactions to it. Which was harder to write, a reclusive ex-hacker or a 91 year-old woman from the Bronx.

Harder? That’s a tough one. Because both of those characters are near and dear to my heart. 

I guess the ex-hacker was more challenging because I’ve never experienced grinding panic attacks and agorophobia. So I needed to talk to people who knew firsthand. It was a lot easier to imagine being a 91-year-old woman, since as you get older, I think you’re still essentially the same person you always were. What changes is the way people treat you. You slow down and have more aches and pains. And you’re more likely to come out and say what you really think. Particularly the last part is easy for me to imagine. 




What motivated you to write Photoplay?

I realized that I’d left big part of the back story of NIGHT NIGHT untold. Even I didn’t know exactly what happened the night of the big party 20 years ago when movie star Bunny Nichol’s Argentine boyfriend was murdered. “Photoplay” takes the reader there. The narrator is celebrity photographer Duane Foley, a consummate Hollywood inside-outsider. His camera sees what happened, though he doesn’t exactly understand what it sees. What I love about “Photoplay” is you can read it before or after you read NIGHT NIGHT. It doesn’t give any of the novel’s plot twists, but it adds a revelation or two. 

Saturday, July 5, 2014

Writes of Passage


We talk way more about books than we do writing on Mystery Playground, but many of us write fiction as well. Sisters in Crime, a professional organization for crime writers, has come out with a new book featuring a series of essays from writers on their journey. It's called Writes of Passage: Adventures on the Writer's Journey. 

Edited by author and Emmy award-winning TV reporter, Hank Phillipi Ryan, it features essays ranging from Hallie Ephron entitled, I Get My Best Ideas at Yard Sales, Kelli Stanley on Committing Yourself, and Laurie R. King on Writing a New Family.

Whether you are interested in writing, or just the writing process, you may want to pick up a copy.

Tuesday, January 23, 2018

Edgar Award Nominees Announced




Mystery Writers of America has announced the 2018 Nominees for the Edgar Allan Poe Awards (known as the Edgars), honoring the best in mystery fiction, non-fiction and television published or produced in 2017. The Edgar Awards will be presented to the winners at a banquet on April 26, 2018 at the Grand Hyatt Hotel in New York City. 

Congratulations to the nominees and this years' honorees.

BEST NOVEL

The Dime by Kathleen Kent (Hachette Book Group - Little, Brown & Co./Mulholland Books)
Prussian Blue by Philip Kerr (Penguin Random House – G.P. Putnam’s Sons)
Bluebird, Bluebird by Attica Locke (Hachette Book Group - Little, Brown & Co./Mulholland Books)
A Rising Man by Abir Mukherjee (Pegasus Books)
The Twelve Lives of Samuel Hawley by Hannah Tinti (Penguin Random House – The Dial Press)

BEST FIRST NOVEL BY AN AMERICAN AUTHOR

She Rides Shotgun by Jordan Harper (HarperCollins – Ecco)
Dark Chapter by Winnie M. Li (Polis Books)
Lola by Melissa Scrivner Love (Penguin Random House – Crown)
Tornado Weather by Deborah E. Kennedy (Macmillan – Flatiron Books)
Idaho by Emily Ruskovich (Random House)

BEST PAPERBACK ORIGINAL

In Farleigh Field by Rhys Bowen (Amazon Publishing – Thomas & Mercer)
Ragged Lake by Ron Corbett (ECW Press)
Black Fall by Andrew Mayne (HarperCollins Publishers – Harper Paperbacks)
The Unseeing by Anna Mazzola (Sourcebooks – Sourcebooks Landmark)
Penance by Kanae Minato (Hachette Book Group – Little, Brown & Co./Mulholland Books)
The Rules of Backyard Cricket by Jock Serong (Text Publishing)

BEST FACT CRIME

Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by David Grann (Penguin Random House – Doubleday)
The Road to Jonestown: Jim Jones and Peoples Temple by Jeff Guinn (Simon & Schuster)
American Fire: Love, Arson, and Life in a Vanishing Land by Monica Hesse (W.W. Norton & Company – Liveright)
The Man From the Train: The Solving of a Century-Old Serial Killer Mystery by Bill and Rachel McCarthy James (Simon & Schuster – Scribner)
Mrs. Sherlock Holmes: The True Story of New York City's Greatest Female Detective and the 1917 Missing Girl Case that Captivated a Nation by Brad Ricca (St. Martin’s Press)

BEST CRITICAL/BIOGRAPHICAL

From Holmes to Sherlock: The Story of the Men and Women who Created an Icon by Mattias Bostrom (Grove/Atlantic – The Mysterious Press)
Manderley Forever: A Biography of Daphne du Maurier by Tatiana de Rosnay (St. Martin’s Press)
Murder in the Closet: Essays on Queer Clues in Crime Fiction Before Stonewall by Curtis Evans (McFarland Publishing)
Chester B. Himes: A Biography by Lawrence P. Jackson (W.W. Norton & Company)
Arthur and Sherlock: Conan Doyle and the Creation of Holmes by Michael Sims (Bloomsbury USA)

BEST SHORT STORY

“Spring Break” – New Haven Noir by John Crowley (Akashic Books)
“Hard to Get” – Ellery Queen Mystery Magazine by Jeffery Deaver (Dell Magazines)
“Ace in the Hole” – Montana Noir by Eric Heidle (Akashic Books)
“A Moment of Clarity at the Waffle House” – Atlanta Noir by Kenji Jasper (Akashic Books)
“Chin Yong-Yun Stays at Home” – Alfred Hitchcock Mystery Magazine by S.J. Rozan (Dell Magazines)

BEST JUVENILE

Audacity Jones Steals the Show by Kirby Larson (Scholastic – Scholastic Press)
Vanished! By James Ponti (Simon & Schuster – Aladdin)
The Assassin’s Curse by Kevin Sands (Simon & Schuster – Aladdin)
First Class Murder by Robin Stevens (Simon & Schuster – Simon & Schuster BFYR)
NewsPrints by Ru Xu (Scholastic – Graphix)

BEST YOUNG ADULT

The Cruelty by Scott Bergstrom (Macmillan Children’s Publishing Group – Feiwel & Friends)
Grit by Gillian French (HarperCollins Publishers – HarperTeen)
The Impossible Fortress by Jason Rekulak (Simon & Schuster)
Long Way Down by Jason Reynolds (Simon & Schuster – Atheneum Books for Young Readers)
The Hate U Give by Angie Thomas (HarperCollins Publishers – Balzer + Bray)

BEST TELEVISION EPISODE TELEPLAY

“Episode 1” – The Loch, Teleplay by Stephen Brady (Acorn TV)
“Something Happened” – Law and Order: SVU, Teleplay by Michael Chernuchin (NBC Universal/Wolf Entertainment)
“Somebody to Love” – Fargo, Teleplay by Noah Hawley (FX Networks/MGM)
“Gently and the New Age” – George Gently, Teleplay by Robert Murphy (Acorn TV)
“The Blanket Mire” – Vera, Teleplay by Paul Matthew Thompson & Martha Hillier (Acorn TV)

ROBERT L. FISH MEMORIAL AWARD

"The Queen of Secrets" - New Haven Noir by Lisa D. Gray (Akashic Books)

GRAND MASTER

Jane Langton
William Link
Peter Lovesey

RAVEN AWARD

Kristopher Zgorski, BOLO Books
The Raven Bookstore, Lawrence Kansas

ELLERY QUEEN AWARD

Robert Pépin

* * * * * *

THE SIMON & SCHUSTER MARY HIGGINS CLARK AWARD

The Vineyard Victims by Ellen Crosby (Minotaur)
You’ll Never Know Dear by Hallie Ephron (HarperCollins – William Morrow)
The Widow’s House by Carol Goodman (HarperCollins – William Morrow Paperbacks)
Uncorking a Lie by Nadine Nettmann (Llewellyn Worldwide – Midnight Ink)
The Day I Died by Lori Rader-Day (HarperCollins – William Morrow Paperbacks)

Tuesday, January 19, 2016

2016 Edgar Award Nominees Announced



This morning, Mystery Writers of America announced the Nominees for the 2016 Edgar Allan Poe Awards, honoring the best in mystery fiction, non-fiction and television published or produced in 2015. The Edgar® Awards will be presented to the winners at the Mystery Writers of America Gala Banquet, April 28, 2016 at the Grand Hyatt Hotel, New York City. 

Congratulations to all of the nominees. I'm very excited to see Catriona McPherson on the list for the Mary Higgins Clark Award, Lou Berney for Best Paperback Original, Glen Erik Hamilton for Best First Novel and Janet Rudolph as the Ellery Queen Award recipient. 


BEST NOVEL

The Strangler Vine by M.J. Carter (Penguin Random House – G.P. Putnam’s Sons)
The Lady From Zagreb by Philip Kerr (Penguin Random House – G.P. Putnam’s Sons)
Life or Death by Michael Robotham (Hachette Book Group – Mulholland Books)
Let Me Die in His Footsteps by Lori Roy (Penguin Random House - Dutton)
Canary by Duane Swierczynski (Hachette Book Group – Mulholland Books)
Night Life by David C. Taylor (Forge Books)


BEST FIRST NOVEL BY AN AMERICAN AUTHOR

Past Crimes by Glen Erik Hamilton (HarperCollins Publishers – William Morrow)
Where All Light Tends to Go by David Joy (Penguin Random House – G.P. Putnam’s Sons)
Luckiest Girl Alive by Jessica Knoll (Simon & Schuster)
The Sympathizer by Viet Thanh Nguyen (Grove Atlantic – Grove Press)
Unbecoming by Rebecca Scherm (Penguin Random House - Viking)


BEST PAPERBACK ORIGINAL

The Long and Faraway Gone by Lou Berney (HarperCollins Publishers – William Morrow)
The Necessary Death of Lewis Winter by Malcolm Mackay (Hachette Book Group – Mulholland Books
What She Knew by Gilly Macmillan (HarperCollins Publishers – William Morrow)
Woman with a Blue Pencil by Gordon McAlpine (Prometheus Books – Seventh Street Books)
Gun Street Girl by Adrian McKinty (Prometheus Books – Seventh Street Books)
The Daughter by Jane Shemilt (HarperCollins Publishers – William Morrow)


BEST FACT CRIME

Operation Nemesis: The Assassination Plot that Avenged the American Genocide by Eric Bogosian (Hachette Book Group – Little, Brown and Company)
Where The Bodies Were Buried: Whitey Bulger and the World That Made Him by T.J. English (HarperCollins Publishers – William Morrow)
Whipping Boy: The Forty-Year Search for My Twelve-Year-Old Bully by Allen Kurzweil (HarperCollins Publishers - Harper)
Forensics: What Bugs, Burns, Prints, DNA and More Tell Us About Crime by Val McDermid (Grove Atlantic – Grove Press)
American Pain: How a Young Felon and his Ring of Doctors Unleashed America's  Deadliest Drug Epidemic by John Temple (Rowman & Littlefield – Lyons Press)


BEST CRITICAL/BIOGRAPHICAL

The Golden Age of Murder by Martin Edwards (HarperCollins Publishers - HarperCollins)
The Outsider: My Life in Intrigue by Frederick Forsyth (Penguin Random House – G.P. Putnam’s Sons)
Meanwhile There Are Letters: The Correspondence of Eudora Welty and Ross Macdonald by Suzanne Marrs and Tom Nolan (Arcade Publishing)
Goldeneye: Where Bond Was Born: Ian Fleming's Jamaica by Matthew Parker (Pegasus Books)
The Lost Detective: Becoming Dashiell Hammett by Nathan Ward (Bloomsbury Publishing – Bloomsbury USA)


BEST SHORT STORY

"The Little Men" – Mysterious Bookshop by Megan Abbott (Mysterious Bookshop)
"On Borrowed Time" – Ellery Queen Mystery Magazine by Mat Coward (Dell Magazines)
"The Saturday Night Before Easter Sunday” – Providence Noir by Peter Farrelly (Akashic Books)
"Family Treasures" – Let Me Tell You  by Shirley Jackson (Random House)
"Obits" – Bazaar of Bad Dreams by Stephen King (Simon & Schuster - Scribner)
“Every Seven Years” – Mysterious Bookshop by Denise Mina (Mysterious Bookshop)


BEST JUVENILE

Catch You Later, Traitor by Avi (Algonquin Young Readers - Workman)
If You Find This by Matthew Baker (Hachette Book Group – Little, Brown Books for Young Readers)
Curiosity House: The Shrunken Head by Lauren Oliver & H.C.Chester  (HarperCollins Publishers – HarperCollins Children’s Books)
Blackthorn Key by Kevin Sands  (Simon & Schuster - Aladdin)
Footer Davis Probably is Crazy by Susan Vaught (Simon & Schuster – Paula Wiseman Books)


BEST YOUNG ADULT

Endangered by Lamar Giles (HarperCollins Children’s Books - HarperTeen)
A Madness So Discreet by Mindy McGinnis (HarperCollins Publishers – Katherine Tegen Books)
The Sin Eater's Daughter by Melinda Salisbury (Scholastic – Scholastic Press)
The Walls Around Us by Nova Ren Suma (Algonquin Young Readers - Workman)
Ask the Dark by Henry Turner (Houghton Mifflin Harcourt – Clarion Books)


BEST TELEVISION EPISODE TELEPLAY

"Episode 7," - Broadchurch, Teleplay by Chris Chibnall (BBC America)
"Gently with the Women" - George Gently, Teleplay by Peter Flannery (Acorn TV)
"Elise - The Final Mystery" - Foyle's War, Teleplay by Anthony Horowitz (Acorn TV)
 "Terra Incognita" - Person of Interest, Teleplay by Erik Mountain & Melissa Scrivner Love (CBS/Warner Brothers)
"The Beating of her Wings" - Ripper Street, Teleplay by Richard Warlow (BBC America)


ROBERT L. FISH MEMORIAL AWARD

"Chung Ling Soo’s Greatest Trick" – Ellery Queen Mystery Magazine 
by Russell W. Johnson (Dell Magazines)


GRAND MASTER

Walter Mosley


RAVEN AWARDS

Margaret Kinsman
Sisters in Crime


ELLERY QUEEN AWARD

Janet Rudolph, Founder of Mystery Readers International

* * * * * *

THE SIMON & SCHUSTER - MARY HIGGINS CLARK AWARD

A Woman Unknown by Frances Brody (Minotaur Books – A Thomas Dunne Book)
The Masque of a Murderer by Suzanne Calkins (Minotaur Books)
Night Night, Sleep Tight by Hallie Ephron (HarperCollins Publishers – William Morrow)
The Child Garden by Catriona McPherson (Llewellyn Worldwide – Midnight Ink)
Little Pretty Things by Lori Rader-Day (Prometheus Books – Seventh Street Books)